If you don’t agree that ‘Dead Souls’ is one of Joy Division’s finest musical offerings, then we’ll have to cease contact immediately. The ominous guitar riffs, brooding bass lines, and angry anthemic lyrics make my soul feel anything but dead when I hear the opening drum beat.
I don’t own a copy of Still, the compilation album the track is featured on, and it’s not the first place I heard it either. I was (and still am) obsessed with the film The Crow, and ‘Dead Souls’ is covered on the film’s official soundtrack by Nine Inch Nails (aka Trent Reznor). I thought Reznor had penned the track himself, and it wasn’t until I watched Control – Anton Corbijn’s 2007 biopic about Ian Curtis – that I realised my mistake.
Whilst Joy Division’s rendition of ‘Dead Souls’ is incredible, I still regularly listen to Nine Inch Nails’ version because it resurrects the feelings of sheer escapism I experienced the first time I watched The Crow. Whichever way you manipulate it, ‘Dead Souls’ sounds great; and there are two more cover versions of the track I can’t get out of my head either.
The first is a cover by one of my favourite new bands, Manchester post-punks PINS. They featured ‘Dead Souls’ on their recent EP Bad Thing because it sat comfortably with the record’s theme of bad dreams and nightmares, and I think the girls’ echoing vocals are as haunting and foreboding at Curtis’.
The final cover comes from soon to be industrial icon Hate Vessel (aka my older brother Joe). It’s probably not cool or good for his reputation for me to talk about him on this blog, but fuck it. He’s covered ‘Dead Souls’ and he’s done a blinding job. I only have this live video that’s on Facebook, but I think you’ll get the gist